Open Call: Writings for Signals :: Issue.006

Open Call: Writings for Signals :: Issue.006

This Deadline Expired: Monday, July 31, 2017

Antenna invites writers to submit short works of fiction, non-fiction, poetry and prose that explore or connect in some way to the themes anchoring Street Spirit, the sixth issue of Antenna::Signals, a publication released in conjunction with our eponymous quarterly “live arts magazine” event. Each written piece must be 1500 words or less; we will accept up to 10 writings for inclusion. Each accepted submission will receive an honorarium of $50. For questions, email imani@antenna.works.

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood
Bradford White Fiske
Bradford White Fiske

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating wrap used in the construction industry. These environments might be fairy-tale forests or the sites of biological disasters. Perhaps both.
Summer J. Hart
Summer J. Hart

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations…

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating…

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating wrap used in the construction…

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.
Pete Checchia
Pete Checchia

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed…

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.…

Pete Checchia enjoys a diverse career both as a highly esteemed freelance and studio photographer as well as an acclaimed multi-disciplinary exhibiting visual artist.…

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her own body, creating a micro/ macro relationship.
Kristin Osgood Lamelas
Kristin Osgood Lamelas

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her…

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her own body, creating a micro/ macro relationship.

Kristin Osgood Lamelas’ mixed-media paintings reference aerial views of specific landscapes and images of cells from her own body, creating a micro/ macro relationship.

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