Pentimenti Gallery Call for Entry

Pentimenti Gallery Call for Entry

This Deadline Expired: Friday, July 30, 2021

Exhibit Dates: Fall Exhibitions 2021
Title: Platform Project
Venue: Pentimenti Gallery – Outdoor Installation
Eligibility: All submissions must represent recently completed works.

Work must be suitable for outdoor installation and must:
1. Be structurally sound, self-standing, and able to move from indoors to outdoors.
2. Take into consideration the safety of the audience.
3. Be capable of withstanding adverse weather conditions including but not limited to high winds, temperature changes (both high and low), rain, hail storms, etc.
4. Be able to withstand a high traffic, public walking environment.
5. Be substantially maintenance-free during the exhibition period.
6. Fit within the dimensions of 4 ft. (height) x 5 ft. (width) x 2 ft. (depth).
7. Weigh no more than 80 lbs.
8. No fee.

It is the artist’s responsibility to deliver the artwork to the specified area of Pentimenti Gallery, 145 N 2nd St. Philadelphia, PA 19106. Pentimenti Gallery will provide limited equipment and supervision for the placement of the chosen artwork. It will be the responsibility of the artist to supply any specialty tools that may be needed for installation.

Artwork will be for sale during the exhibition period, and the work must remain on-site for the duration of the exhibition.
By submitting to Pentimenti Gallery, the artist agrees to comply with all rules and requirements.

Submission: email resume, statement, list of works, 6 – 8 images at mail@pentimenti.com
Website: www.pentimenti.com

Large and medium sized musically energetic abstract paintings that use many layers of color, rhythm, marks, and shapes that invite the viewer to enter a world of their own. Curators and galleries are invited to look at them for any projects they may have. Paintings can be purchased  for your home, corporate offices, hospitals, restaurants and more.
Sandi Neiman Lovitz
Sandi Neiman Lovitz

Large and medium sized musically energetic abstract paintings that use many layers of color, rhythm, marks, and shapes that…

Large and medium sized musically energetic abstract paintings that use many layers of color, rhythm, marks, and shapes that invite the viewer to enter a world of their own. Curators and galleries are invited…

Large and medium sized musically energetic abstract paintings that use many layers of color, rhythm, marks, and shapes that invite the viewer to enter a world of their own. Curators and galleries are invited to look at them…

Tilda Rose
Tilda Rose
Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human experience. Melinda Steffy’s RUINATION DAY series (acrylic on wood panel) deconstructs folk and blues songs that reference the date April 14, which is when Lincoln was shot, the Titanic hit the iceberg, and the Black Sunday dust storm devastated the Midwest. Melinda Steffy’s BACH PROJECT series (watercolor on paper) converts classical music by J.S. Bach and Bela Bartok into grids and pie charts. Rather than hear one note after the other through time, the paintings show all of the notes and rhythms simultaneously on one visual plane.
Melinda Steffy
Melinda Steffy

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human experience. Melinda…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece to the viewer . . . no matter
what materials I use is all important.
I use titles to emotionalize these abstract
pieces to help communicate a connection
between the individual and
the universal whole.

In the metal pieces I use recycled aluminum
printing press plates which I sand,
cut and glue onto wood panels, they are
about energy and light, patterns and
motion, all influenced by the microcosm
of life forms, biology, and a
hint of satire.
Dolores Poacelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

Gail Morrison-Hall finds inspiration in old buildings, Victorian Gingerbread architecture, a city or country she's traveled to, medieval manuscripts, the colors and patterns in the natural world, a quote, phrase, a question or a concept.
Gail Morrison-Hall
Gail Morrison-Hall

Gail Morrison-Hall finds inspiration in old buildings, Victorian Gingerbread architecture, a city or country she's traveled…

Gail Morrison-Hall finds inspiration in old buildings, Victorian Gingerbread architecture, a city or country she's traveled to, medieval manuscripts, the colors and patterns in the natural world, a quote,…

Gail Morrison-Hall finds inspiration in old buildings, Victorian Gingerbread architecture, a city or country she's traveled to, medieval manuscripts, the colors and patterns in the natural world, a quote, phrase, a question…

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