Ragdale 2020 Residency Opportunities

Ragdale 2020 Residency Opportunities

This Deadline Expired: Wednesday, May 15, 2019

Nearly 200 residencies and fellowships are now offered annually to creative professionals of all types, making Ragdale one of the largest interdisciplinary artists’ communities in the country. Each session, 13 artists-in-residence experience uninterrupted time for dedicated work on a 5-acre historic campus beside a beautiful 50-acre prairie, 30 miles north of Chicago. With live/work studios, all meals provided, and unmatched staff support, Ragdale lets artists focus on what’s most important: creating new work.

APPLY: Opportunities for creative professionals of all types

Solo / Small Group Residencies: Creative professionals of all types are eligible for 18- and 25-day residencies. Applications are juried annually by the Ragdale Curatorial Board.

Themed Residencies: Creative professionals of all types working collaboratively are eligible for 5-7 day residencies for groups of 5-13 artists. Applications are juried annually by the Ragdale Curatorial Board.

FAQ: Frequently asked questions for applicants and admitted residents

FELLOWSHIPS: Ragdale awards up to 30 fellowships each year. Most fellows are selected from the pool of admitted residents. Occasionally individual fellowships require a separate application. Applications are juried annually by the Ragdale Curatorial Board.

CREATIVE SABBATICALS: Creative Sabbaticals are one- to three-week residencies tailored for people who may or may not be creative professionals, but who are interested in pursuing a creative project in an environment without distractions

https://ragdale.submittable.com/submit/137679/2020-residencies

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed race population that was very concerned with labeling and grouping people, the experience was unsettling. From that point, I had to think about race and culture and how they related to my daily performance.
Cara Susanne Roberts
Cara Susanne Roberts

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed…

Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make dynamic, retrofuturist wooden wall sculptures that evoke nostalgia for the past as much as they look to the future. Fascinated by the way pieces of technology, culture, and design reveal their age, Scott aims to make works that cannot be pinned to a specific era.  By utilizing new and reclaimed wood, metal, plastics and other materials, Scott's mixed media sculptural work defies normal classification.
Scott Troxel
Scott Troxel

Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century…

Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make dynamic, retrofuturist wooden wall sculptures that evoke nostalgia…

Scott Troxel draws on the aesthetics of bygone technology and the forward-looking designs of the Atomic Age and mid-century modernism to make dynamic, retrofuturist wooden wall sculptures that evoke nostalgia for the past…

Gilvan Nunes
Gilvan Nunes
Susan Abrams
Susan Abrams
Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social issues, and more recently have embraced text as both content and image:

*  states of mind as one-word declarations (SO I WAS, LIKE....)

* the interior lives of artists (DESIDERATUM)

* odd courting and mating habits in the animal kingdom that sometimes echo our own (RE:PRODUCTION – Portraits)
* the dysfunction of todays politics seen through an historical perspective (WHEEL, DEAL, STEAL, THEN SPIN)

* death – it’s customs, euphemisms, architecture (THE FINAL FRONTIER)

* profiling and identity (The MARK Portraits)

* violence in America (TOKENS, PRECIS, HARBINGERS AND HERALDS, AMERICAN PIE, EIKONS)
E. Sherman Hayman
E. Sherman Hayman

Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social…

Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social issues, and more recently have embraced text as both content and image:

*…

Composing in series, and often series within series, all of my projects from the past couple of decades have dealt with social issues, and more recently have embraced text as both content and image:

* states of mind as…

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