Root Quarterly Call for Submissions

Root Quarterly Call for Submissions

This Deadline Expired: Friday, September 11, 2020

The WINTER issue theme is “Apocalypse.” We equate “apocalypse” with disaster, but it’s also a means of uncovering, of revelation, of great visions, of a turning point. Pitches and submissions are due SEPTEMBER 11.

WHAT WE’RE LOOKING FOR:

TONE & STYLE

It’s okay to have a distinctive voice! But we’re also looking for writers who will largely forgo snark, condescension, bullying, point-scoring, self-serving virtue signaling, etc., and will instead try on for size some finesse, awe, grace, wit, and humility. It’s okay to have questions and not answers. Ideas and issues are complicated, and they take time to unwind.

We’re also looking for people who aren’t afraid to write a piece even if people within their bubble might disagree with it. Two great examples are here in The Atlantic and here in Seattle’s Weekly, The Stranger. Both are written by hardcore liberals who are willing to call on other liberals to be more rigorous with their arguments.

Be wild, be funny, be weird, be contrarian. The worst we can say is ‘no.’

COMPENSATION

This is a volunteer-run project, and it’s a barn-raising in every way. Printing bills are expensive. But we know your time is valuable and that art isn’t free. That’s why we’ve got a subscription-based model and we don’t give our content away online.

We typically give honorariums of $25 to $100 depending on the piece and its length, as well as for artwork contributions that illustrate articles. Longer, assigned profiles or articles will be compensated at 10 cents to 20 cents per word, to be determined at the time we accept a proposal and our current funds. If there’s a piece that absolutely needs to be written but would require more time and research, we’re willing to look into grants that may fund the work; we are a fiscally-sponsored project of Cultureworks in Philadelphia, and can accept tax-deductible contributions.

*If you are suffering from financial hardship and can’t afford a single issue at $12, you may send an email to editor@rootquarterly.com and we’ll work something out.

HOW TO SUBMIT Take in all of the above, do a little reading, cuddle up with an issue, and then send an email keeping all those guidelines and principles in mind. Thank you in advance for considering joining the community.

Learn more here.

Jeremy Waak
Jeremy Waak
Don Kaiser is an InLiquid member with works in digital art and installation.
Don Kaiser
Don Kaiser

Don Kaiser is an InLiquid member with works in digital art and installation.…

Don Kaiser is an InLiquid member with works in digital art and installation.…

Don Kaiser is an InLiquid member with works in digital art and installation.…

I am an artist studying the underlying structure, geometry and patterns, as projected onto the window of our understanding of the world.
Jeannie Moberly
Jeannie Moberly

I am an artist studying the underlying structure, geometry and patterns, as projected onto the window of our understanding…

I am an artist studying the underlying structure, geometry and patterns, as projected onto the window of our understanding of the world.…

I am an artist studying the underlying structure, geometry and patterns, as projected onto the window of our understanding of the world.…

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative structure in combination with images borrowed from art history and other popular cultural sources, Borgen has developed a hybrid visual language which he uses in his digital prints and wall installations to make comment on topics ranging from historical, formal strategies of artmaking to issues within the current political and social discourse.
Matthew Borgen
Matthew Borgen

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called…

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative…

Matthew Borgen's recent work utilizes imagery from comic books published during the mid-20th century — the genre’s so-called golden age. Using their visual conventions, nostalgic aura, and narrative structure in combination…

Gerri Spilka’s award winning work has been exhibited in numerous art and textile shows in Europe, Canada, and the US. Trained in this order, as an artist, social scientist, and architect and urban planner, not surprisingly, Spilka’s fabric work continues to investigate themes grounded in these ways of knowing the world.
Gerri Spilka
Gerri Spilka

Gerri Spilka’s award winning work has been exhibited in numerous art and textile shows in Europe, Canada, and the US. Trained…

Gerri Spilka’s award winning work has been exhibited in numerous art and textile shows in Europe, Canada, and the US. Trained in this order, as an artist, social scientist, and architect and urban planner,…

Gerri Spilka’s award winning work has been exhibited in numerous art and textile shows in Europe, Canada, and the US. Trained in this order, as an artist, social scientist, and architect and urban planner, not surprisingly,…

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