Scientific Images That Inspire

Scientific Images That Inspire

This Deadline Expired: Friday, September 18, 2020

Are you interested in a larger platform to share your artwork?

Do you believe in the power of art to change the way people see the world?

Open Scholar is building an image library for their world class clients, composed of 25,000+ researchers, scientists and faculty at labs, institutions and prominent universities around the United States.

Join a community of artists and designers whose imagery brings to life a network of powerful, connected research websites.

If you’re an artist or medical or scientific illustrator who wants to share your work with a broader community, they want to hear from you.

Their clients are looking for innovative, inspiring and beautiful images to bring their scientific websites and mission to life.

Open Scholar is looking for images representing these categories:
· Nature, wonderment & curiosity
· Connection, collaboration & teams
· Science, medicine & labs
· Research, discovery & innovation

If you are selected, your work will become part of a curated collection of images that are accessible through OpenScholar’s platform. When your work is published online, it will include a credit with your name and a link to your biography page on OpenScholar so that viewers can learn more about you and your work.

The submission deadline is September 18, 2020.

Learn more and submit here

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating wrap used in the construction industry. These environments might be fairy-tale forests or the sites of biological disasters. Perhaps both.
Summer J. Hart
Summer J. Hart

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations…

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating…

Influenced by folklore, superstition, divination, & forgotten territories reclaimed by nature, I create immersive installations out of hand-cut Tyvek—a nonwoven material most familiar as an insulating wrap used in the construction…

My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and toys.  I am interested in all things old as I believe they have the most interesting stories to tell.  Buildings and objects from the past both bring back memories for those who have previously interacted with them, and discovery to those seeing them for the first time.  I work in a contemporary realist style, looking to bring to attention the beautiful design elements that already exist in the subjects that I paint.
Jean Broden
Jean Broden

My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and…

My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and toys. I am interested in all things old as I believe they have the most interesting…

My work is primarily in oils and focuses on urban street scenes and still life settings made up of vintage housewares and toys. I am interested in all things old as I believe they have the most interesting stories to tell.…

The ever-changing seascape and creatures are the subjects, and I marvel at the minute details, textures, and movements. Through my art, I visually capture an iconic creature engage viewers and remind them of our fragile marine environment.
Patti Dougherty (Jewelry)
Patti Dougherty (Jewelry)

The ever-changing seascape and creatures are the subjects, and I marvel at the minute details, textures, and movements. Through…

The ever-changing seascape and creatures are the subjects, and I marvel at the minute details, textures, and movements. Through my art, I visually capture an iconic creature engage viewers and remind them…

The ever-changing seascape and creatures are the subjects, and I marvel at the minute details, textures, and movements. Through my art, I visually capture an iconic creature engage viewers and remind them of our fragile marine…

Arlene Solomon is a collage and mixed media artist who has been studying art for 15 years. Her collages have a definite sense of playfulness and nostalgia.
Arlene Solomon
Arlene Solomon

Arlene Solomon is a collage and mixed media artist who has been studying art for 15 years. Her collages have a definite sense…

Arlene Solomon is a collage and mixed media artist who has been studying art for 15 years. Her collages have a definite sense of playfulness and nostalgia.…

Arlene Solomon is a collage and mixed media artist who has been studying art for 15 years. Her collages have a definite sense of playfulness and nostalgia.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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