SlowArt Productions: The Sublime Nude

SlowArt Productions: The Sublime Nude

This Deadline Expired: Monday, February 28, 2022

SlowArt Productions presents the group exhibition, The Sublime Nude. This exhibition will focus on art inspired by the sublime and sensitive nude. The exhibition will be held at the Limner Gallery from May 12 – June 4, 2022. All artist interpretations of the theme will be reviewed and considered.

ELIGIBILITY AND RESTRICTIONS: The competition is open to all artists, national and international, working in all media. All forms of painting, drawing, sculpture, photography, graphics, digital and installation art, video, etc. are eligible. Entrants must be 18 years of age or older to apply. Wall mounted works must not be taller than 72″ no wider than 96″.  Sculptural work must fit through a standard height, 36″wide entry door.

EXHIBITION:  Winning artists will be featured in a group exhibition at the Limner Gallery, May 12 – June 4, 2022. The exhibition will also be displayed on the Limner Gallery web site and social media pages.

EXHIBITION TERMS Works in the show may be for exhibition only, or for sale. The gallery will take a 35 percent commission on all sales. Sale price is determined by the  artist. 

ENTRY FEES:  There is a $35.00 entry fee for one to four artworks entered, presentation is by digital JPG files or dedicated web page post. There is a $5.00 fee for each additional artwork above four. Details of 2D artwork count as an additional artwork. Sculptors may provide one additional view per artwork without cost. Artists accepted to exhibit will not be charged any additional fees to exhibitEntry fee payments must be made online at the time of entry by credit card using PayPal, or may be made by check or money order payable to SlowArt Productions.

NOTIFICATION:  Artists will be notified of acceptance or non-acceptance no later than March 31, 2022.  Notification will be by posting the results on or before this date at: http://www.slowart.com/results   Notification will also be made via email, however, due to the general unreliability of email notifications, the results web page shall serve as the official confirmation.  

IMAGE USE / COPYRIGHTS:  Artist retains all copyrights to submitted images and represented artwork.  Digital images submitted with the entry are for exhibition selection only and will be deleted after completion of the selection process. By entering the competition, artists selected to exhibit grant Limner Gallery rights to use the selected image(s) on printed materials and the gallery web site for promotional purposes only. Limner Gallery and/or SlowArt retain no copyrights to artists work.  

PRIVACY POLICY:
  Artist contact information (address, telephone, etc.) is only held for the purpose of contacting the selected artists and is not preserved in a database. Entry data and image files are deleted on the completion of the jury process. All artist emails will be added to our future events announcement email list.  Artists who do not wish to be on the email list may unsubscribe when they receive their notification.

DEADLINEThe final deadline is February 28, 2022. Entries must be submitted via email by 12:00 midnight on this date.  

Learn more and submit here.

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor.  She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process usually begins with a thick underpainting using a carefully chosen color (a color of influence!) which is left intentionally visible at the edges.
Phyllis Anderson
Phyllis Anderson

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen.…

Phyllis Anderson has been painting for nearly three decades, exploring process and outcome, meaning and metaphor. She approaches her work like a lab experiment, a set of steps to see what will happen. Her painting process…

Ruth Miller's contemporary realistic work pulls inspiration from the urban world around her. Drawing on the realism of nature and social
Ruth Miller
Ruth Miller

Ruth Miller's contemporary realistic work pulls inspiration from the urban world around her. Drawing on the realism of nature…

Ruth Miller's contemporary realistic work pulls inspiration from the urban world around her. Drawing on the realism of nature and social …

Ruth Miller's contemporary realistic work pulls inspiration from the urban world around her. Drawing on the realism of nature and social …

Bob Ingram
Bob Ingram
In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

Interested  in  Paul  Rand  and  Milton Glaser,  I  pursued  graphic  design  at  Pratt  Institute  in  Brooklyn,  NY.
Lynn Dunham
Lynn Dunham

Interested in Paul Rand and Milton Glaser, I pursued graphic design at Pratt Institute in Brooklyn, NY. …

Interested in Paul Rand and Milton Glaser, I pursued graphic design at Pratt Institute in Brooklyn, NY. …

Interested in Paul Rand and Milton Glaser, I pursued graphic design at Pratt Institute in Brooklyn, NY. …

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