The Huts Magazine Issue 5 UNVEIL Section

The Huts Magazine Issue 5 UNVEIL Section

This Deadline Expired: Wednesday, May 4, 2022

The Huts Magazine is glad to announce the open call for their Fifth Issue, 2022.

Be part of this issue –

This edition is open to all artists from developing and developed countries around the world. All styles and media are welcome. Artworks are chosen based solely on techniques, originality and ability to interest viewers in meanings and style and not by special educational background, close relationship with the team… Selected artists will have two pages (a spread) dedicated to them, and they can put in special request for a project they are currently working on.

Deadline

4th May, 2022

Eligible Artists

– Any artist, self-taught and professionals are welcome to apply.
– They also accept all kinds of artworks which include sculptures, paintings, photography, installation and so on.
Submission fees

Regular submission: $15

Fees are nonrefundable.

When selected a free PDF will be sent to the artist.

If you encounter a problem while submitting, PLEASE CONTACT THE MAGAZINE at team@thehutsmagazine.com.

If this is something you’re interested in, head over to the submission form, they can’t wait to see your artwork!

The Magazine will be available in Print internationally in June 2022

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Lauren Sweeney
Lauren Sweeney
Danny Simmons
Danny Simmons
Nancy Agati
Nancy Agati
I am primarily a brick sculptor. Using this humble everyday material to create public art connects with a wide audience, particularly in the brick-centric East Coast.
Michael Morgan
Michael Morgan

I am primarily a brick sculptor. Using this humble everyday material to create public art connects with a wide audience,…

I am primarily a brick sculptor. Using this humble everyday material to create public art connects with a wide audience, particularly in the brick-centric East Coast.…

I am primarily a brick sculptor. Using this humble everyday material to create public art connects with a wide audience, particularly in the brick-centric East Coast.…

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