The Lillian Orlowsky and William Freed Grant

The Lillian Orlowsky and William Freed Grant

This Deadline Expired: Friday, April 1, 2022

The Lillian Orlowsky and William Freed Grant is awarded annually to under-recognized American painters over the age of 45 who demonstrate financial need.
The mission of this grant is to promote public awareness of and a commitment to American art, and to encourage interest in artists who lack adequate recognition.

Recipients are selected by a diverse group of jurors—artists, curators, professors, writers—based on the strength of the materials submitted in this application as well as the perceived adherence to the spirit of the grant: to assist under recognized artists. Awards include a cash grant, ranging from $5,000 to $30,000 and an exhibition at PAAM.

The late Lillian Orlowsky and William Freed studied with Hans Hofmann in both New York and Provincetown. They were very active at PAAM as artist members and instructors in the summer school, and they served on a variety of committees throughout their 50 years on Cape Cod. Orlowsky, in particular, was sensitive to the challenges artists face, especially those working against the mainstream or outside of popular schools of art. Her desire to provide financial support to mature artists through this generous endowment gift speaks to her passionate commitment to art for art’s sake and art created regardless of the demands and whims of the marketplace.

Learn more and apply here.

Lee Lippman
Lee Lippman
Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts, ideas, and discussion. Her photographs of beach huts stem from an interest in mapping how architecture and social organization intersect, especially as it pertains to families and home.
Judy Gelles
Judy Gelles

Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts,…

Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts, ideas, and discussion. Her photographs of beach huts stem from an interest…

Gelles uses words and images to provide social commentary on who we are and how we think. Her objective is to provoke thoughts, ideas, and discussion. Her photographs of beach huts stem from an interest in mapping how architecture…

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer.
Joe Sasarak
Joe Sasarak

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product…

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer. …

My work can be traced back to my own personal history and experiences, yet rather than being personal symbols, it is a product of a collective memory that I share with the viewer. …

Marguerita Hagan
Marguerita Hagan
Christy E. O’Connor
Christy E. O’Connor
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