The Print Center: 94th ANNUAL International Competition

The Print Center: 94th ANNUAL International Competition

This Deadline Expired: Friday, June 14, 2019

CALL FOR ENTRIES

The Print Center is very pleased to announce the 94th ANNUAL International Competition juried by Charlotte Cotton and Gretchen Wagner. Cotton is a curator of photography and author, she is Curator-in-Residence at the California Museum of Photography, Riverside and recently published Photography Is Magic (Aperture, 2015). Wagner is the Andrew W. Mellon Fellow for Prints, Drawings, and Photographs at the Saint Louis Art Museum and co-curator/co-author of Graphic Revolution: American Prints 1960 to Now (Saint Louis Art Museum, 2018).

The ANNUAL is one of the oldest and most prestigious competitions in the United States. The Print Center is particularly interested in highlighting local, national and international artists who utilize photography and printmaking in new and intriguing ways, both in content and process.

Any artist using Photography and/or Printmaking as critical components in their work can enter. Artists whose work pushes the boundaries of traditional photographic and printmaking practices are encouraged to enter.

To learn more and apply follow this link: http://printcenter.org/100/94th-competition/

DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.
DeMelas / Checchia
DeMelas / Checchia

DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.…

DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.…

DeMelas/Checchia the collaborative work of InLiquid artist members Pete Checchia and Anthony DeMelas.…

Lee Lippman
Lee Lippman
The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for viewers, but the essence of the elements and ambiguity demand individual interaction with each painting. Layering is both revealing and concealing, creating a balanced tension and suspension which is really what painting is for me. I use the elements to speak for me and I wish to open doors to new dialogue within and between viewers.
Kelly Gadsby
Kelly Gadsby

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be…

The intentional physicality of my paintings is as much a result of my dialogue throughout the process as it is the means with which I invite viewers to experience the work viscerally. Iconography may be the entry point for…

Tremain Smith
Tremain Smith
Kathran Siegel
Kathran Siegel
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