Third Annual International Experimental Animated Short Film Festival

Third Annual International Experimental Animated Short Film Festival

This Deadline Expired: Sunday, June 23, 2019

ASG is pleased to announce their “Third Annual International Experimental Animated Short Film Festival”.

They will be accepting films from 2 – 25 minutes of length in the categories of narrative and non-narrative. Animations of all styles, digital and analog, will be considered. Submissions are DUE JUNE 23 / 11:59 PM PST. You will receive an email by their team regarding your submission in early July.

To present the festival, they will be hosting concurrent looping screenings of the animation selections in an Oakland venue in August (date and location forthcoming), free and open to the public. This will be followed by a ticketed award ceremony. If your film is selected for the program, you will receive a complimentary ticket to the ceremony in which they will be screening the top 2 films and an honorable mention from each category, and viewer’s choice awards.

The films and their presenters will be publicly announced via social media the day the viewing period opens. Also to be announced are the identities of the jurors, who will come from the San Francisco Bay Area Art and Animation scene and beyond.

There is a required submission fee of $25
*** ASG WILL EVALUATE ONLY ONE SUBMISSION PER PERSON ***

Apply here.

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been exhibited locally, regionally and nationally including the Philadelphia Museum of Art, Philadelphia International Airport, the Kimmel Center for Performing Arts.
Michael Grothusen
Michael Grothusen

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been…

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been exhibited locally, regionally and nationally including the Philadelphia Museum…

Michael Grothusen is an Associate Professor of Sculpture at the University of the Arts in Philadelphia. His work has been exhibited locally, regionally and nationally including the Philadelphia Museum of Art, Philadelphia…

Keith Murphy
Keith Murphy
My art is a psychological diary of my personal translation of the individual’s journey through life. It is a kind of fairytale; a story that teaches, both symbolic and narrative.
Rochelle Dinkin
Rochelle Dinkin

My art is a psychological diary of my personal translation of the individual’s journey through life. It is a kind of fairytale;…

My art is a psychological diary of my personal translation of the individual’s journey through life. It is a kind of fairytale; a story that teaches, both symbolic and narrative. …

My art is a psychological diary of my personal translation of the individual’s journey through life. It is a kind of fairytale; a story that teaches, both symbolic and narrative. …

Pedro Zagitt is a multidisciplinary artist whose means of creation range from the written word to the audiovisual, encompassing various visual arts such as photography, etchings and drawings.
Pedro Zagitt
Pedro Zagitt

Pedro Zagitt is a multidisciplinary artist whose means of creation range from the written word to the audiovisual, encompassing…

Pedro Zagitt is a multidisciplinary artist whose means of creation range from the written word to the audiovisual, encompassing various visual arts such as photography, etchings and drawings.…

Pedro Zagitt is a multidisciplinary artist whose means of creation range from the written word to the audiovisual, encompassing various visual arts such as photography, etchings and drawings.…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I  do not strive to recreate the particulars of  places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

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