October 30, 1987 through January 3,1988

A Pennsylvanian by birth, Martha Zelt attended the Pennsylvania Academy of the Fine Arts, where she was awarded the Cresson and Schiedt Traveling Scholarships. A recipient of three Pennsylvania Academy of the Fine Arts’ Fellowship awards, she has shown in galleries and museums throughout the United States. Her work is represented in the collection of the Academy of the Fine Arts as well as that of The Brooklyn Museum of Art, Princeton University, and Yale University. Much of the handmade paper used for the constructions on view in the Morris Gallery was made during a residency at the Tamarind Institute, New Mexico. A former Academy faculty member, she is currently chairman of the Visual Arts Department at Virginia Intermont College.

Martha Zelt’s bold mixed-media constructions only partially reveal her training as a printmaker. Using deckled handmade paper and strips of brightly colored fabric, she combines such techniques as collography, woodcutting, and etching with acrylic paint and machine stitches. Some pieces of the handformed paper are as brittle and dry as parchment paper, while others have the softness and the density of felt. For added texture, Zelt intermittently sprinkles pieces of twine and glitter onto the paper when it is still wet She presses this paper directly on the etching plate or woodcutting block. The lush brown and ochre swirls, furrows, and ridges created by this technique call forth the New Mexican landscape — the orderly rows of cultivated fields, and the crags and fissures of canyons and buttes. These crusty, serrated surfaces are punctuated by whimsical bits of glitter and fake fur. As if startled by a breeze, pieces of twine and strips of bright orange, purple, and turquoise fabric flutter about the surface of her collages. Paths of machine stitching alternately streak and meander across the constructions. They crisscross the terrain, like roadways, leading us to this furrowed field or that gaping valley. With a knowing eye, Zelt assembles a rich range of materials which are varied in texture and hue. Maintaining a delicate and ethereal presence, her pieces seem to quiver nervously behind the glass.

Anne Classen
Curatorial Assistant

Checklist
All works courtesy of Dolan/Maxwell Gallery

Yellow Pipe Bag # 1, 1987
Lithographic monoprint with collage on Rives paper

Yellow Pipe Bag #2, 1987
Lithographic monoprint with collage on Rives paper

White Pipe Bag #2,1987
Lithographic monoprint with collage on Rives paper

White Pipe Bag #3, 1987
Lithographic monoprint with collage on Rives paper

Brown Pipe Bag #2, 1987
Lithographic monoprint with collage on Rives paper

Dreams #1, 1987
Monoprint, fabric, stitching, prisma color, glitter

Dreams #2, 1987
Monoprint, fabric, stitching, prisma color, glitter

Dreams #3, 1987
Monoprint, fabric, stitching, prisma color, glitter

Stars for Loretta, 1987
fabric and wood with stitching

Untitled (triptych), 1987
Woodcut, collograph, fabric,
handmade paper, stitching, wood, glitter, twine, fur

Sky for Anne, 1987
Handmade paper, fabric, stitching, fur, glitter, wood, acrylic paint

Hopi-ng, 1986
Etching, handmade paper, fabric, wood, stitching, acrylic paint

Moonlit Garden, 1986
Fabric, stitching, wood, acrylic paint, handmade paper

Milagro para Angela, 1986
Lithograph on tan Rives paper with fabric, fur, wood, and stitching, edition 22

Grey Cat, 1986
Lithograph on Rives BFK, Vera
Crown Imperial Cover, and Japanese papers with fabric, fur, wood, and stitching, edition 24

Song for Troy, 1985
Etching, fabric, handmade paper, fur, wood, stitching, acrylic paint, collograph

Selected Individual Exhibitions
1980
The Brooklyn Museum, New York

1981
Marian Locks Gallery, Philadelphia, Pennsylvania

1982
Carnegie Institute, Museum of Art, Pittsburgh, Pennsylvania

1983
Kathryn Markel Gallery, New York
Roswell Museum and Art Center, Roswell, New Mexico
North Dakota Museum of Art, Grand Forks, North Dakota

1984
Humboldt State University, Humboldt, California

1986
Dolan/Maxwell Gallery, Philadelphia, Pennsylvania

1987
Virginia Intermont College, Bristol, Virginia

Selected Group Exhibitions
1980-82
International Conference of Hand Papermakers, Boston University, Boston, Massachusetts

A Tribute to The Print Club, Philadelphia Museum of Art, Philadelphia, Pennsylvania

New American Graphics II, Madison Art Center, Wisconsin (traveling)

Four Artists, Four Media, The Print Club, Philadelphia, Pennsylvania

1983-84
Printed by Women, Port of History Museum, Philadelphia, Pennsylvania

New Mexico. New Discoveries, Santa Fe Festival, New Mexico

One of a Kind, Maryland Institute (traveling)

Impressions I, Virginia Museum

New Ideas on Paper, Mead Art Museum, Amherst, Massachusetts

1985-87
Paper Now, Cleveland Museum of Art, Ohio

Atlanta College of Art, Georgia

Smith-Anderson Gallery, Palo Alto, California

Tamarind 25th Anniversary, Albuquerque, New Mexico

Philadelphia College of Art (traveling in China)

Over the Blue Ridge, 11, Roanoke Museum, Virginia

The Morris Gallery displays the work of outstanding contemporary artists with a connection to Philadelphia, determined by birth, schooling, or residence. The exhibitions are chosen by a committee composed of area artists, museum personnel, and collectors, and the curatorial staff of the Pennsylvania Academy of the Fine Arts. Currently serving on the Morris Gallery Exhibition Committee are: Moe Brooker, Paolo Colombo, Bill Freeland, Faith Ginsburg, Carrie Rickey, Eileen Rosenau, Judith Tannenbaum; Academy staff Judith Stein, Morris Gallery Coordinator, Frank H. Goodyear, Jr., and Linda Bantel.

Leslie Birch

See Leslie Birch's full Portfolio