The InLiquid Gallery

The InLiquid Gallery is the physical expression of InLiquid Art + Design’s mission as a hub for visual art in Philadelphia. As a non-profit providing opportunities and a platform for enhanced exposure for local artists, The Gallery is the first permanent space that offers rotating curation of our artist members’ work. The Gallery aims to provide the local and visiting public with a social destination where artwork can be seen, enjoyed, experienced, and purchased. In addition to fine art, The Gallery will feature a rotating selection of craft items, jewelry, fashion accessories, and art books.

Wednesday - Saturday, noon-6pm

1400 N American Street
Studio 108
Philadelphia, PA 19122

Past Exhibitions

Past InLiquid Exhibitions

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Kevin Broad uses novel, unfamiliar methods in his search for the elusive. Expression surges through act of painting, capturing ephemera with singular force.
Kevin Broad

Kevin Broad uses novel, unfamiliar methods in his search for the elusive. Expression surges through act of painting, capturing…

Kevin Broad uses novel, unfamiliar methods in his search for the elusive. Expression surges through act of painting, capturing ephemera with singular force.…

Kevin Broad uses novel, unfamiliar methods in his search for the elusive. Expression surges through act of painting, capturing ephemera with singular force.…

Carol McHarg
Mat Tomezsko is an InLiquid artist member.
Mat Tomezsko

Mat Tomezsko is an InLiquid artist member.…

Mat Tomezsko is an InLiquid artist member.…

Mat Tomezsko is an InLiquid artist member.…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human experience. Melinda Steffy’s RUINATION DAY series (acrylic on wood panel) deconstructs folk and blues songs that reference the date April 14, which is when Lincoln was shot, the Titanic hit the iceberg, and the Black Sunday dust storm devastated the Midwest. Melinda Steffy’s BACH PROJECT series (watercolor on paper) converts classical music by J.S. Bach and Bela Bartok into grids and pie charts. Rather than hear one note after the other through time, the paintings show all of the notes and rhythms simultaneously on one visual plane.
Melinda Steffy

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human…

Through abstract geometric paintings, Philadelphia artist Melinda Steffy translates music into color patterns, exploring ideas of translation, information and data, and how music weaves throughout human experience. Melinda…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece to the viewer . . . no matter
what materials I use is all important.
I use titles to emotionalize these abstract
pieces to help communicate a connection
between the individual and
the universal whole.

In the metal pieces I use recycled aluminum
printing press plates which I sand,
cut and glue onto wood panels, they are
about energy and light, patterns and
motion, all influenced by the microcosm
of life forms, biology, and a
hint of satire.
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

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