berman conversations

In my years as a visual artist I have chosen symbolic forms that are both universal and personal to express the idea of “time.” Often I use nests, eggs, marine creatures, and one-celled organisms. They are symbols for natural phenomenas that manifest this notion of time.
Patti Dougherty (Painting)
Patti Dougherty (Painting)

In my years as a visual artist I have chosen symbolic forms that are both universal and personal to express the idea of “time.”…

In my years as a visual artist I have chosen symbolic forms that are both universal and personal to express the idea of “time.” Often I use nests, eggs, marine creatures, and one-celled organisms. They…

In my years as a visual artist I have chosen symbolic forms that are both universal and personal to express the idea of “time.” Often I use nests, eggs, marine creatures, and one-celled organisms. They are symbols for natural…

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography in Made in China and Skin Stories.
Amie Potsic
Amie Potsic

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography…

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography in Made in China and Skin Stories.…

Amie Potsic is a Photographic Artist on Inliquid. She explores the physical, socio-political and natural aspects of photography in Made in China and Skin Stories.…

German Vazquez
German Vazquez
Paul Fabozzi's art is made through employing rigorous means of visually dissecting and translating photographic artifacts of his experiences of specific sites.
Paul Fabozzi
Paul Fabozzi

Paul Fabozzi's art is made through employing rigorous means of visually dissecting and translating photographic artifacts…

Paul Fabozzi's art is made through employing rigorous means of visually dissecting and translating photographic artifacts of his experiences of specific sites.…

Paul Fabozzi's art is made through employing rigorous means of visually dissecting and translating photographic artifacts of his experiences of specific sites.…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

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