cheltenham center for the arts

Intelligent, insightful mixed media artwork with a narrative component. Pieces inspired by and informed by the past while making commentary on contemporary events.
Patrick Hay
Patrick Hay

Intelligent, insightful mixed media artwork with a narrative component. Pieces inspired by and informed by the past while…

Intelligent, insightful mixed media artwork with a narrative component. Pieces inspired by and informed by the past while making commentary on contemporary events. …

Intelligent, insightful mixed media artwork with a narrative component. Pieces inspired by and informed by the past while making commentary on contemporary events. …

I spend a lot of time in nature observing plants, the environment, and natures cycles. While in or out of the studio, I'm creating both complex and compact environments that enliven personal residences, gallery walls, and city streets. In work ranging from large scale sculptural installations, and living compilations, to miniature assemblage and mixed media works on paper, nature is my rubric and my compass. This is the way I make connections between human interests and the environment that surrounds us. 

Simultaneously, nature is my metaphor and material. Grafting together a variety of flat and dimensional elements is not uncommon in my practice.
In different ways, I'll incorporate earth, vines, flowers, roots, seeds, pigment, and wax into sculpture, and mixed media works on paper, more akin to assemblage. Nature and plants frequently act as metaphors for our human experience as they are passively or overtly layered or stitched amidst found imagery, maps, photographs, and words.
Susan Benarcik
Susan Benarcik

I spend a lot of time in nature observing plants, the environment, and natures cycles. While in or out of the studio, I'm…

I spend a lot of time in nature observing plants, the environment, and natures cycles. While in or out of the studio, I'm creating both complex and compact environments that enliven personal residences,…

I spend a lot of time in nature observing plants, the environment, and natures cycles. While in or out of the studio, I'm creating both complex and compact environments that enliven personal residences, gallery walls, and…

Stan Smokler has developed a unique palette, applying industrial cast-offs, "found objects" to create scuptures which deliberately deny their past history in order to serve a new formal purpose.
Stan Smokler
Stan Smokler

Stan Smokler has developed a unique palette, applying industrial cast-offs, "found objects" to create scuptures which deliberately…

Stan Smokler has developed a unique palette, applying industrial cast-offs, "found objects" to create scuptures which deliberately deny their past history in order to serve a new formal purpose.…

Stan Smokler has developed a unique palette, applying industrial cast-offs, "found objects" to create scuptures which deliberately deny their past history in order to serve a new formal purpose.…

Sharon Wensel
Sharon Wensel
In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

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