exhibition

Flora

By: Doria Wohler
published: May 7, 2021

Artists throughout the ages have been drawn to the vast and varied world of flora. What moves you? Do you … See Full Post

Hard/Cover: Virtual Gallery Opening

By: Doria Wohler
published: April 9, 2021

A collaboration with Philadelphia’s Clay Studio, Hard/Cover includes important artworks from past residents Louise Bourgeois (1911–2010), Robert Venturi (1925–2018) and Denise Scott Brown, Viola Frey (1933–2004), Toshiko Takaezu (1922–2011), and Betty Woodman (1930–2018), as well as new … See Full Post

King Woman

By: Kim Minutella
published: October 12, 2017

This fall, Pen + Brush, in collaboration with curator Mashonda Tifrere and ArtleadHER, will debut King Woman, a show that recognizes … See Full Post

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Lauren Sweeney
Lauren Sweeney
Alice Gonglewski's work explores the symbolism of home both through her stick figure constructions, and meditative still life paintings.
Alice Gonglewski
Alice Gonglewski

Alice Gonglewski's work explores the symbolism of home both through her stick figure constructions, and meditative still…

Alice Gonglewski's work explores the symbolism of home both through her stick figure constructions, and meditative still life paintings.…

Alice Gonglewski's work explores the symbolism of home both through her stick figure constructions, and meditative still life paintings.…

Relationships (I always say) are never easy: especially those between color, shape, texture, space . . . and tension. The relationship of the part to the part, the part to the whole and the relationship of the piece to the viewer . . . no matter what materials I use is all important. I use titles to emotionalize these abstract pieces to help communicate a connection between the individual and the universal whole. In the metal pieces I use recycled aluminum printing press plates which I sand, cut and glue onto wood panels, they are about energy and light, patterns and motion, all influenced by the microcosm of life forms, biology, and a hint of satire.
Dolores Poacelli
Dolores Poacelli

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of…

Relationships
(I always say) are never easy:
especially those between
color, shape, texture, space . . .
and tension.
The relationship of the part to the part,
the part to the whole and the relationship
of the piece…

Jenn is a painter! Mostly she's an oil painter, though she's been known to use just about any medium available at a given moment. She Loves to paint. It's pretty much all she wants to do. Shes Loves to paint the world and the beautiful things in it — and she Loves that people really Love her paintings of our beautiful world and the beautiful things in it! There is nothing really special about Jenn, she's just painter who paints... just about anything, just about all the time. P.S. She's a bit of a formalist — her world is made up of line, color, shape, form, structure, composition and plasticity. And, while she paint from observation, the subject of the painting is not her objective. The process of painting is her objective — the process of how to best use the medium, often oil paint, to create and subjugate form on the two dimensional surface of the canvas.
Jenn Hallgren
Jenn Hallgren

Jenn is a painter! Mostly she's an oil painter, though she's been known to use just about any medium available at a given…

Jenn is a painter! Mostly she's an oil painter, though she's been known to use just about any medium available at a given moment.

She Loves to paint. It's pretty much all she wants to do.
Shes Loves…

Jenn is a painter! Mostly she's an oil painter, though she's been known to use just about any medium available at a given moment.

She Loves to paint. It's pretty much all she wants to do.
Shes Loves to paint the world…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood
Bradford White Fiske
Bradford White Fiske

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood…

Fiske employs metallic paints and iridescent pigments to establish a surface that suggests a depth that hints at elements not quite identifiable or understood…

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