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Flora

By: Doria Wohler
published: May 7, 2021

Artists throughout the ages have been drawn to the vast and varied world of flora. What moves you? Do you … See Full Post

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Teresa Shields
Teresa Shields
Bobbie Adams
Bobbie Adams
Jennifer Baker is a visual artist working in varied media including: painting, monotype, sculpture, and installation. Her images of Northern Liberties document the changes in that Philadelphia neighborhood over a period of 30 years, from the fires and the wrecking balls of the 1980s and 90s to the runaway construction of the 2000s. Other images explore the central Pennsylvania town of Centralia where an underground fire has burned in a coal seam for over 50 years. These pieces have a roughness and immediacy in their execution that matches their subject matter. Her life size sculptures and installation pieces show another side of her interests, and most recently she has been working on a series of drawings documenting her life in the time of coronavirus. All of these pieces have in common an interest in narrative and a sense of place and memory.
Jennifer Baker
Jennifer Baker

Jennifer Baker is a visual artist working in varied media including: painting, monotype, sculpture, and installation. Her…

Jennifer Baker is a visual artist working in varied media including: painting, monotype, sculpture, and installation. Her images of Northern Liberties document the changes in that Philadelphia neighborhood…

Jennifer Baker is a visual artist working in varied media including: painting, monotype, sculpture, and installation. Her images of Northern Liberties document the changes in that Philadelphia neighborhood over a period of…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the slow movement of rain laden clouds. Areas of sky, water, and land are knit together with brushstrokes to represent their seamless interaction under the common conditions of weather and time. In my acid etched tin pieces, areas of watery marks are left visible to suggest the underlying layers of the landscape. I do not strive to recreate the particulars of places that inspire me, but rather the timelessness of the elements of light, weather, and geometries that inform them. My work is not about how the landscape looks as much as about how the landscape makes me feel. I try to create an image that allows the viewer to engage with it in such a way as to invite similar introspection.
Kirby Fredendall
Kirby Fredendall

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks…

I enjoy the manipulation of materials and how process itself contributes to the life and form of the image. Dramatic, gestural lines describe the play of light and wind across the water, while softer marks add life to the…

Laura Petrovich-Cheney's work focuses on resurrecting debris found in the natural environment. Her autobiography and the environment inform her work as she documents place and experience.
Laura Petrovich-Cheney
Laura Petrovich-Cheney

Laura Petrovich-Cheney's work focuses on resurrecting debris found in the natural environment. Her autobiography and…

Laura Petrovich-Cheney's work focuses on resurrecting debris found in the natural environment. Her autobiography and the environment inform her work as she documents place and experience.…

Laura Petrovich-Cheney's work focuses on resurrecting debris found in the natural environment. Her autobiography and the environment inform her work as she documents place and experience.…

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