school 33 art center

Judith Jacobson
Judith Jacobson
My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.
Daniel Dallmann
Daniel Dallmann

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already…

My life and my perceptions are the subjective drivers for the pictures I make. Making a painting is, for me, an exploratory process toward understanding, not an expository declaration of a position already held.…

In his mixed media work, Tom Herbert explores various concepts of abstraction through the use of repeated pattens and shapes. His use of fractured elements to create designs gives his work an kinetic energy that keeps the viewers eye engaged.
Tom Herbert
Tom Herbert

In his mixed media work, Tom Herbert explores various concepts of abstraction through the use of repeated pattens and shapes.…

In his mixed media work, Tom Herbert explores various concepts of abstraction through the use of repeated pattens and shapes. His use of fractured elements to create designs gives his work an kinetic energy…

In his mixed media work, Tom Herbert explores various concepts of abstraction through the use of repeated pattens and shapes. His use of fractured elements to create designs gives his work an kinetic energy that keeps the…

Cassidy Argo
Cassidy Argo
In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling than about the land as place.” I recognized in this characterization a kindred sensibility that continues to inform my work. I find myself drawn to both the apposition and opposition of natural and human-made elements in landscape photography, and seek to convey the emotional to and fro between timelessness and evanescence.
Geoffrey Ansel Agrons
Geoffrey Ansel Agrons

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for…

In his introduction to "Michael Kenna: A Twenty Year Retrospective", Peter Bunnell explored the notion of the “unheroic landscape,” a term that aptly described the photographer’s “concern for the land more as feeling…

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