2017 At a Glance – InLiquid Artists Respond

2017 was quite a year, to say the least. As a way to respond to the major events of this year past, we asked several of our artists what moments of 2017 most inspired their work. Through internal thoughts, a heightened sense of awareness, health kicks, and discovered paths for new artistic endeavors, our artists have shown how their practices have paved a path for 2018 that is hopeful, progressive and uniting. We hope that their stories can inspire a happy new year!

John Y. Wind, Installation, Mixed Media, & Sculpture Artist 

Wind’s signature collage work, on-trend fringe clusters, and an ombré effect.

“For me, 2017 marked a turning point in my dual careers as artist and jewelry designer. The heightened commodification of fashion, coupled with the Etsy and Amazon revolutions, have created a highly competitive new normal. They have pushed me to explore a stronger bridge between my art and design, with the goal of bringing more meaning and art into my business—along with a more integrated studio practice. To that end, I am also in the middle of moving my two studios into one new space—a physical manifestation of these changes.”

 

 

Eric Toscano, Collage & Mixed Media Artist

Untitled (Jackson), from InLiquid’s Visions of the End at Painted Bride

“The one thing that impacted my work more than anything else in 2017 was my InLiquid show at the Painted Bride. Having my work on display in such a prominent location and for it to be so well received was inspiring. It gave me the confidence to continue exploring that line of thinking. As a result, things continue to look up!”

 

 

 

 

 

Carole Loeffler, Fiber Arts & Installation Sculptor

IT WILL GET BETTER from Spillway Collective’s Brass Tacks

“It’s the toxic environment that the “Commander in Chief” encourages, allows and fosters that worries me the most. Some folks have lost the ability to show kindness, compassion and be decent human beings to each other. The lack of humanity, in general, is what inspired me the most this year.

As a result, I’ve been thinking about individual people and their stories, folks whose voices cannot be heard (or listened to) for whatever reason. I started using text with vintage clothing to help tell stories of women and the expectations placed upon them. Some of the stories are my own and others are of family members and friends. By learning about others, it has helped me find my own voice and to use it to fight, to soothe, to question, to support, to encourage and, most importantly, to connect.”

 

 

 

Scott Schultheis, Painter 

Inside Outing, from InLiquid’s Tower Viewer at The Painted Bride Art Center

“Being hosted by a university to give a presentation about some of my work and do some group crits with students—feeling united in my detest for this compassionless, weak-minded fraud—cooking for mom a pot of spaghetti with fresh clams on Cape Cod—and hearing the voice of James Baldwin.”

 

 

 

 

Colin Keefe, Illustration Artist

The Beginning of Everything, from InLiquid’s Architectonic Shift at Park Towne Place

“While I was pretty obsessively tuned into politics (like everyone else), I think what had more of an impact in my life was some choices to live healthier.  I exercised more, worked less (for other people), and tuned into what I was doing for me versus what I was doing because it was expected of me—basically, I tried to break out of living patterns I had developed over years that were holding me back.  That freed up space for me to be more creative and productive, but it’s an ongoing process.”

 

 

Danielle Cartier
Christina Penrose

Christina Penrose's work is a result of experimenting with various transfer methods, collage, and paint application. This…

Christina Penrose's work is a result of experimenting with various transfer methods, collage, and paint application. This process stimulates underlying themes that are at times autobiographical, political,…

Christina Penrose's work is a result of experimenting with various transfer methods, collage, and paint application. This process stimulates underlying themes that are at times autobiographical, political, environmental,…

Richard W. Gretzinger

Ever since I could remember I was always attracted to people and places, but I was not always good with words or finding…

Ever since I could remember I was always attracted to people and places, but I was not always good with words or finding connection. Photography was my way of fitting in--my way to communicate the beauty…

Ever since I could remember I was always attracted to people and places, but I was not always good with words or finding connection. Photography was my way of fitting in--my way to communicate the beauty I see around me.…

Marjorie Grigonis

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities.…

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd…

Marjorie Grigonis is a painter who has spent 15 years as an art teacher, a professor at several colleges and universities. Currently she works in her studio in Philadelphia, where she belongs to the 3rd Street Gallery, a…

Cara Susanne Roberts

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was…

Sharing the experiences I have had with race and gender is a catalyst for my work. My experience growing up very protected in a race not completely my own, was not concerning to me as a child. When I was introduced to a mixed…

previous arrow
next arrow
Slider