Exhibits & Events

This highly autobiographical exhibition of new and never-before-seen work by celebrated artist and woodturner Mark Sfirri presents a way of thinking about the definition of family and its meanings through different lenses: families that are chosen vs. born into; families of species (trees and wood types) and identities; and familial strife and unconditional love, support, and dysfunction. It represents a coming to terms with generational passing, through the artist’s adoption of a spontaneous, “flow state” approach in his turning, carving, and surfacing processes. The grandchild of four first-generation Americans who came through Ellis Island around 1900 and settled in Chester, the oldest city in Pennsylvania, the artist presents several installations of sculpture that consider communities comprised of families with their own histories, ethnic backgrounds, biases, and quirks—all trying to coexist in new and evolving worlds.

In addition to new works by Sfirri, and true to the artist’s passion for collaboration, the exhibition presents a collaborative project that includes the work of 45 artists and colleagues who were asked to contribute a two-dimensional artwork depicting an “immigrant” of their choice, whether a person or an idea. In some cases, the subject is indigenous to the land in which they and their descendants were born and raised; in others, the immigrants are the artists themselves—all serve to challenge assumptions and deepen conceptions toward immigration, families and lineages, and influence.

The exhibition is accompanied by a full-color catalogue, published by the Museum for Art in Wood, that includes essays by artist Miriam Carpenter and writer and curator Craig Edelbrock along with writings by Sfirri and documentation on the works in the exhibition.