Untitled | Installation; Baring Street Pop-up, 2019, neon cast in lab glass in silicon rubber, laboratory equipment
Untitled | Whittier College, 2018, cast stainless steel, neon, found prescription bottles
Untitled Chandelier | Cherry Street Pier, 2021, found neon, neon, found window brackets from Cherry Street Pier skylights, neon cast in lab glass in silicon rubber, woven wires
Untitled Chandelier | (at Night), Cherry Street Pier, 2021, found neon, neon, found window brackets from Cherry Street Pier skylights, neon cast in lab glass in silicon rubber.
Untitled Small Chandelier | Cherry Street Pier, 2021, neon cast in lab glass and silicon rubber, laboratory clamps, demoed rebar
Untitled Neon –Hybrid | Cherry Street Pier, 2021, neon cast in lab glass and silicon rubber, laboratory clamps, demoed rebar
Untitled Neon –Hybrid | Cherry Street Pier, 2021, inkjet prints, found laboratory equipment, recycled neon, aluminum rod
Untitled Neon –Hybrid | Crane Building, 2021, inkjet prints, found laboratory, neon, aluminum rod
Untitled Neon –Hybrid | Cherry Street Pier, 2021, inkjet print, found laboratory equipment, neon, rebar
Untitled Neon –Hybrid | Cherry Street Pier, 2021, inkjet prints, found laboratory equipment, neon, rebar
Untitled Neon –Hybrid | CFEVA, 2021, inkjet prints, found laboratory equipment, found neon
Untitled Neon –Hybrid | CSP, 2019, found laboratory equipment, neon, rebar, inkjet print mounted on acrylic scrap
Untitled Neon-Hybrid | inkjet prints, found laboratory, neon, rebar,, Inkjet print mounted on broken glass
Untitled Neon –Hybrid | Cherry Street Pier, 2021, inkjet prints, found laboratory equipment, neon, rebar
Untitled | neon cast in laboratory glass with siliconerubber, found pallet, photograph mounted on lead sheet.Inkjet print mounted on brokenglass
No items found.
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Untitled Wall Grid | Cherry Street Pier, 2021, inkjet prints, silver prints, recycled laboratory equipment, aluminum rod, found glass, found plexiglass
Untitled Wall Grid | Cherry Street Pier, 2021, inkjet prints, silver prints, recycled laboratory equipment, aluminum rod, found glass, found plexiglass
Untitled Wall Grid | Cherry Street Pier, 2021, inkjet prints, silver prints, recycled laboratory equipment, aluminum rod, found glass, found plexiglass
Untitled Floor Grid | Cherry Street Pier, 2021, inkjet prints, silver prints, recycled laboratory equipment, aluminum rod, found glass, found plexiglass, found wooden pallets
Untitled Floor Grid | Cherry Street Pier, 2021, inkjet prints, silver prints, recycled laboratory equipment, aluminum rod, found glass, found plexiglass, found recycled steel plate
Untitled Wall Grid | CFEVA, 2019, inkjet prints, silver prints, recycled laboratory equipment, aluminum rod, found glass, found plexiglass
Untitled Installation (aerial view) | Cherry Street Pier Rear Quarter, 2021
Untitled Installation (Skylights and Neon) | Cherry Street Pier, 2021
Untitled Installation (Skylights with Video) | Cherry Street Pier, 2021
Untitled Installation (DJ Booth) | Cherry Street Pier, 2021
Untitled Installation (Skylights and Neon) | Rockville Arts Center MD, 2019
Untitled Sculpture | Cherry Street Pier, 2021, found rebar, neon
Untitled Sculpture | AC Projects NY, 2021, found rebar and concrete, neon
Installation | Rockville Arts Center MD, 2019, styrofoam, urethane rubber, lab glass, mixed media
Untitled Sculpture | CFEVA, 2019, cast bronze, neon, found rx bottles
No items found.
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No items found.
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Member Portfolio

John Schlesinger

Philadelphia PA

Résumé

Artist's Statement

I create ceiling and wall mounted assemblages built out of neon, lab equipment, resin-cast photographs and rebar pulled from demolition sites. The works triangulate a conversation between sculpture, photography and light art. I call them neon hybrids.
The work mocks normative 2-dimensional mounting traditions. It cannot be shipped and simply hung. I insist on constructing the neon hybrids site responsively, growing and grabbing across each unique space like a virus infecting its host space.
The material references within my assemblages form a network of ideas that I pull from repeatedly. The photographs I deploy represent previous assemblages and installations, revealing an auto-cannibalistic slant in my relationship with own practice. Encased in resin, the photographs are at once fortified by that process, and rendered more translucent to the lighting effects of the neon. The demolition-sourced rebar presents an indexical representation of the trauma it underwent through the process of demolition. The rebar pieces emerge from the rubble like 3D scars. The lab equipment I deploy reflects my experimental and alchemistic approach to building. I cast the form of the neon to mimic the twisted, 3-dimensional drawing of the demolition rebar. The neon functions as glowing, fragile, anti-shadows of the dull, cheap metal of the rebar. Neon also serves to penetrate the surface of the photographs, lighting them both front and back. The works light themselves like deep-sea bioluminescent predators.

Artist's Biography

John Schlesinger born in Topeka Kansas is a veteran photographer turned sculptor and installation artist living and working in Philadelphia.
He has won a Rome Prize, a Louis Comfort Tiffany Award, an Aaron Siskind Fellowship and two National Endowment for the Arts Fellowships. His work has been reviewed in Art in America, the Village Voice, Aperture, Bomb Magazine, Art News, and the New York Times.
Collected broadly, Schlesinger’s output can be found at the Walker Art Center, the San Francisco Museum of Modern Art, the Houston Museum of Art, the Dallas Museum of Art, the Hamburg Kunsthalle, the Art Institute of Chicago, the Brooklyn Museum, and the MOMA. He has taught at the School of Visual Arts, Rice University, Drexel University and Rockland Community College. He has earned residencies at MacDowell, Yaddo and several other colonies. He recently completed a CFEVA Fellowship in Philadelphia.
Schlesinger often collaborates with Tra Bouscarenas half of the team Dear Volunteers. In the last four years he has completed installations at CFEVA (Philadelphia), Unsmoke Art Systems (Braddock, PA), AC Projects (NYC), Whittier College (Los Angeles), Fort Mason Center for Art, San Francisco), Lola 38 (West Philadelphia) and Rockville Arts Center (Rockville, MD).
He recently completed "After the Fall," an evolving installation at Cherry Street Pier on the waterfront in Philadelphia.

Education

2012
University of Pennsylvania, Philadelphia, PA
MFA, Interdisciplinary Art, Certificate in tbm
1980
University of Minnesota, Minneapolis, MN
BA, Philosophy and Photography
BS, Art Education

Artist's Bibliography

2018
Catalog, Lola 38, Philadelphia, PA
2003
Catalog, American Academy in Rome, Rome, Italy
"Pandemic: Facing AIDS", Umbrage Editions, edited and curated by Nan Richardson, Spring
2001
Van Proyen, Mark, “San Francisco e-Mail: Burtynsky, Schlesinger, Nimoy”, Art Issues, Summer
2000
"Artworld", Art in America, March
Description of Louis Comfort Tiffany Award
Boxer, Sara, review of "Snapshots" at Aldrich Museum, New York Times

Selected Collections

American Academy in Rome
Allen Memorial Museum
Art Institute of Chicago
Bill Arning, New York
Bonni Benrubi, New York
Blue Mountain Center
Henry Buhl, New York
Brooklyn Museum, New York
Carnegie Museum of Art
Dallas Museum of Fine Arts
Deutsche Bank, AG, FDR
Richard Flood, Minneapolis, Minnesota
Barry Friedman, New York
General Mills, Minneapolis, Minnesota
Hamburg Kunsthalle, Hamburg, FDR
Houston Museum of Fine Arts
Lehigh University Gallery
The MacDowell Colony
Minneapolis Institute of Art
Museum of Modern Art, New York
Oberlin College Art Museum, Ohio
Princeton University, New Jersey
Aaron Siskind Foundation
San Francisco Museum of Modern Art
Tampa Art Museum
Walker Art Center, Minneapolis

Professional Experience

2019
Center For Emerging Visual Arts, Philadelphia, PA
Visual Artist’s Fellowship, Peter Benoliel Fellow
2002
John Armstrong Chaloner Rome Prize Fellowship in the Visual Arts
Peter S. Reed Foundation Award
2000
Virginia Center for the Creative Arts Residencies
Aaron Siskind Fellowship

Selected Exhibitions

For full resume please visit John Schlesinger's website
Solo and Two-Person
2020
After the Fall, Cherry Street Pier, Philadelphia, PA
2019
…the player to be named later, VisArts Center, Rockville, MD
2018
Basement installation, Lola 38, Philadelphia, PA
Window installation, Lancaster Ave, Philadelphia, PA
2017
A Player to Be Named Later, LoLa38, Philadelphia, PA
“Dear Volunteers” collaboration with Tra Bouscaren
Dear Volunteers, AC Institute, New York, NY
“Dear Volunteers” collaboration with Tra Bouscaren
2016
You Doom Chunx, Unsmoke Systems Artspace, Braddock, PA
“Dear Volunteers” collaboration with Tra Bouscaren
Dear Volunteers, Whittier College, Green Leaf Gallery, Los Angeles, CA
“Dear Volunteers” collaboration with Tra Bouscaren
Neon Robot Iceberg, Fort Mason Center for Art and Culture, San Francisco, CA
“Dear Volunteers” collaboration with Tra Bouscaren
Daft Affect, TR Gallery, Berkeley, CA
“Dear Volunteers” collaboration with Tra Bouscaren
2013
My Future Ex, site-specific installation series, Buffalo, NY
“Dear Volunteers” collaboration with Tra Bouscaren
2012
Untitled Installation, The Annenberg Center for Performing Arts, Philadelphia, PA
2003
John Schlesinger, Front Gallery, American Academy in Rome, Rome, Italy
2001
John Schlesinger, Quotidian Gallery, San Francisco, CA
John Schlesinger, Williamsburg Art NeXus, Brooklyn, NY
Group
2019
Selections from CFEVAs 2018 Fellows, Cherry Street Pier, Philadelphia, PA
2018
Wonkfest Tra Bouscaren, Max Rain, and John Schlesinger, CICA Experimental Film and Video Exhibition, CICA Museum, Korea
2017
A Player to Be Named Later, Lola38, Philadelphia, PA
A "Dear Volunteers" collaboration with Tra Bouscaren
2013
My Future Ex, installation at University of Buffalo Art Gallery, Buffalo, NY
2011
Vox VII, Vox Populi, Philadelphia, PA
Hive/Cave, Pageant, Philadelphia, PA
Duets, DCCA, Wilmington, DE
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