"Bird Circling Bone" acrylic on tissue, leaf, twigs, metal wire, animal bone, 18” x 16”
"Counterpoint Paper" paper, acrylic on window frame, 36” x 36”
"David" Bound Assemblage Wood, yarn, metal wire, painter's tape, 14” x 18”
"Float and/or Fall" acrylic on styrofoam, pencil on paper, dental floss, painter's tape, 16” x 36”
"In/Trance 1" 	acrylic, Measurements vary with showing
"In/Trance 4" acrylic, .5” x 1.5” x 1.5”
"In/Trance 8" acrylic, .5” x 1” x 1.5”
"In/Trance 9" acrylic, measurements vary with showing
"It is Not Dirty, It is Filthy" oil pastel, charcoal on packing paper, 20” x 30”
"Metal Root"  metal wire, painter's tape, 14” x 15”
"Of Various Solidity" acrylic on metal grid, painter's tape, 36” x 36”
"Pink Swing" wood, metal hinges, acrylic, 14” x 2”
"That Way Assemblage" acrylic on woodblock, paper, painter's tape, 2” x 12”
"Three and/or One Exit(s)" Plastic, 48” x 24”
"Wallgazer Series" (Yellow, Red, Green) acrylic and graphite on cut canvas, 7” x 9” (each)
"Wallgazer Series" (Green) acrylic and graphite on cut canvas, 7” x 9”
"Wallgazer Series" (Red) acrylic and graphite on cut canvas, 7” x 9”
"Wallgazer Series" (Yellow) acrylic and graphite on cut canvas, 7” x 9”
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Member Portfolio

Connor Kirk

Philadelphia, PA

Résumé

Artist Statement

Everyday,

The work is the center

Of inquiry, discovery

A state of constant opening,

Perpetual beginning

Each moment to be honored

By asking of its secrets

Bio

Of my earliest childhood memories, one of the most vivid is, while playing with paper and pencil, accidentally drawing what I perceived to look like a little bird. The picture was absolutely simple, composed of one long curved line enclosed at the beak. Yet it seemed to me like it might at any moment fly right off the page.

Since the drawing came about spontaneously, I immediately became taken with the idea of repeating/recreating it. I filled page after page attempting to capture the essential beauty and purity of that first "chance" drawing, but each attempt came up short.

Perhaps in some strange way, I've still been trying ever since.

In my early teens, I began to compose and perform music, eventually studying formally at Franklin & Marshall college where I received a Bachelors of Music in 2022.

It was there where I developed a deep fascination with the artistic avant-garde, discovering the works of artists like John Cage, Laurie Anderson, Duchamp, Rauschenberg, and Jasper Johns. Artists who blurred the lines not just between artistic mediums, but between art and life itself.

Since graduating, I've continued my work as a multimedia artist, producing bodies of work such as the 2023 conceptual album/novella "The Burning of Hunger City" and a stream of visual works consisting of videos, photographs, drawings, paintings, installations, and assemblages. In addition to this, I write consistent essays and poems exploring artistic philosophy on my Substack, the "On Fire Diaries."

My latest body of work, an installation entitled "Ten Invisible Drawings" premiered at Franklin & Marshall College on November 9, 2024 to great success.

Education

2022
Franklin & Marshall College, Lancaster, PA
Bachelors in Music

Studied Under: Rusty Banks, Peter Cunningham, Katrina Simonsen

Selected Exhibitions

Solo

Scheduled for February 2025
Ten Invisible Drawings, Barshinger Center, Lancaster, PA

2024
Break in the Jambs, O.S.W., Philadelphia, PA

2023
All Gone Empty, Harbaugh Club, Lancaster, PA

Group

2022
Fire in America, Roschel House, Lancaster, PA

Of Sound & Paint, Ben’s Underground, Lancaster, PA

2022
Bitter, Strange, Sweet, Market St, Purcellville, VA

2021
A Night of Local Art, Trinity House Cafe, Leesburg, VA

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