At the core of my practice is the exploration of the physical and visual dynamics of transparency and layering. I work to create a visual dialogue between surface and depth, exploring how subtle shifts in color and form can evoke a sense of movement and transformation within the piece. My process is an exercise in precision and patience, where each layer builds upon the last, resulting in a complex interplay of light, shadow, and translucence.
I approach the canvas as a field of experimentation, where the process of layering becomes a means of pushing the boundaries of perception. Through the juxtaposition of muted tones and bold, vibrant colors, I explore the tension between stillness and motion, between order and chaos. The transparency within the layers invites the viewer to contemplate how light interacts with the painted surface, how colors blend, overlap, and shift depending on the angle of observation.
Recently, I have expanded my practice to include ceramics, working in a studio in the Shigaraki area, renowned for its long tradition of ceramics in Japan. This new medium allows me to further explore texture and form, adding another dimension to my creative process. The tactile nature of ceramics complements my work in painting, offering new opportunities for artistic expression and material experimentation.
In my work, I am particularly focused on the interplay between control and spontaneity. Each layer represents a deliberate decision, yet the transparency and fluidity of the medium allow for moments of unpredictability—colors may bleed into one another, forms may blur, creating an organic, evolving composition. This dynamic, between the planned and the accidental, is central to my creative process.
Ultimately, my art is about creating a space for visual exploration. I want my work to offer an open-ended experience, where viewers can engage with the fluidity of color and form, the shifts in light and shadow, and the transparency of layered materials. By focusing on the physical properties of paint and composition, I aim to create pieces that invite quiet reflection, encouraging the viewer to slow down and contemplate the subtle, evolving relationships within the work.
Dominique Lutringer, born in Strasbourg, France, with both French and German origins, earned his Bachelor of Fine Arts at the École Nationale Supérieure d’Aix-en-Provence. His artistic journey took a significant turn in his early 30s when he moved to Japan, inspired by Yukio Mishima’s The Golden Pavilion. This move was fueled by a longstanding fascination with Japanese culture that began during his adolescence.
In Japan, Lutringer’s work evolved to focus on color, transparency, and layering. His paintings are celebrated for their dynamic interplay of light, shadow, and form, offering viewers a multifaceted experience of color and depth. Lutringer also explores ceramic making in a studio located in the Shigaraki area, renowned for its long tradition of ceramics in Japan. This medium further enhances his exploration of texture and form. His work is exhibited internationally and held in various public and private collections.Beyond his artistic practice, Lutringer is deeply involved in education. He offers art workshops for children with specific needs and for schools lacking dedicated artistic programs. He believes that visual art education is fundamental for fostering creativity, open-mindedness, and a broader perspective in children. Lutringer views art as essential for enriching life and preserving human connections in an increasingly digital world.
